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Silt and clay soils were deposited by marine floods in the saltwater areas and along the beds of tidal rivers, while organic soils, or peats, developed in the freshwater marshes.
Fenland water levels peaked in the Iron Age; earlier Bronze and Neolithic settlements were covered by peat deposits, and have only recently been found after periods of extensive droughts revealed them.
Settlements developed on the new silt soils deposited near the coast. Though water levels rose once again in the early medieval period, by this time artificial banks protected the coastal settlements and the interior from further deposits of marine silts.
Peats continued to develop in the freshwater wetlands of the interior fens. In general, of the three principal soil types found in the Fenland today, the mineral-based silt resulted from the energetic marine environment of the creeks, the clay was deposited in tidal mud-flats and salt-marsh, while the peat grew in the fen and bog.
The peat produces black soils, which are directly comparable to the American muck soils. A roddon , the dried raised bed of a watercourse, is more suitable for building than the less stable peat.
Since the 19th century, all of the acid peat in the Fens has disappeared. Drying and wastage of peats has greatly reduced the depth of the alkaline peat soils and reduced the overall elevation of large areas of the peat fens.
There is evidence of human settlement near the Fens from the Mesolithic on. The Romans constructed the Fen Causeway , a road across the Fens to link what later became East Anglia with what later became central England; it runs between Denver and Peterborough.
They also linked Cambridge and Ely. Generally, their road system avoided the Fens, except for minor roads designed for exporting the products of the region, especially salt, beef and leather.
Sheep were probably raised on the higher ground of the Townlands and fen islands, then as in the early 19th century. There may have been some drainage efforts during the Roman period, including the Car Dyke along the western edge of the Fenland between Peterborough and Lincolnshire, but most canals were constructed for transportation.
How far seaward the Roman settlement extended is unclear owing to the deposits laid down above them during later floods. The early post-Roman settlements were made on the Townlands.
It is clear that there was some prosperity there, particularly where rivers permitted access to the upland beyond the fen. Such places were Wisbech , Spalding , Swineshead and Boston.
All the Townlands parishes were laid out as elongated strips, to provide access to the products of fen, marsh and sea. On the fen edge, parishes are similarly elongated to provide access to both upland and fen.
The townships are therefore often nearer to each other than they are to the distant farms in their own parishes. After the end of Roman Britain, there is a break in written records.
It is thought that some Iceni may have moved west into the Fens to avoid the Angles , who were migrating across the North Sea from Angeln modern Schleswig and settling what would become East Anglia.
Surrounded by water and marshes, the Fens provided a safe area that was easily defended and not particularly desirable to invading Anglo-Saxons.
It has been proposed that the names of West Walton , Walsoken and Walpole suggest the native British population, with the Wal- coming from the Old English walh , meaning "foreigner".
Walton is generally believed to mean "wall-town",  Walsoken to mean "the district under particular jurisdiction by the wall",  and Walpole to mean simply "wall-pole" Old English wal and pal  or perhaps "well pool" Old English welle and pol.
When written records resume in Anglo-Saxon England, the names of a number of peoples of the Fens are recorded in the Tribal Hidage and Christian histories.
In the early Christian period of Anglo-Saxon England, a number of Christians sought the isolation that could be found in the wilderness of the Fens.
Later classified as saints, often with close royal links, they include Guthlac , Etheldreda , Pega , and Wendreda.
Hermitages on the islands became centres of communities which later developed as monasteries with massive estates. In the Life of Saint Guthlac , a biography of the East Anglian hermit who lived in the Fens during the early 8th century, Saint Guthlac was described as attacked on several occasions by people he believed were Britons , who were then living in the Fens.
However, Bertram Colgrave, in the introduction to one edition, doubts this account, because of the lack of evidence of British survival in the region.
British place names in the area are "very few". Monastic life was disrupted by Danish Anglo-Saxon raids and centuries of settlement from the 6th century but was revived in the midth-century monastic revival.
In the 11th century, the whole area was incorporated into a united Anglo-Saxon England. The Fens remained a place of refuge and intrigue.
It was here that Alfred Aetheling was brought to be murdered and here where Hereward the Wake based his insurgency against Norman England. As major landowners, the monasteries played a significant part in the early efforts at drainage of the Fens.
During most of the 12th century and the early 13th century, the south Lincolnshire fens were afforested. It was deforested in the early 13th century.
There is little agreement as to the exact dates of the establishment and demise of the forest, but it seems likely that the deforestation was connected with the Magna Carta or one of its early 13th-century restatements, though it may have been as late as The forest would have affected the economies of the townships around it and it appears that the present Bourne Eau was constructed at the time of the deforestation , as the town seems to have joined in the general prosperity by about Though the forest was about half in Holland Lincolnshire and half in Kesteven , it is known as Kesteven Forest.
Though some signs of Roman hydraulics survive, and there were also some medieval drainage works, land drainage was begun in earnest during the s by the various investors who had contracts with King Charles I to do so.
Contrary to popular belief, Vermuyden was not involved with the draining of the Great Fen in Cambridgeshire and Norfolk in the s, but only became involved with the second phase of construction in the s.
Fenmen known as the Fen Tigers tried to sabotage the drainage efforts. Both cuts were named after the Fourth Earl of Bedford who, along with some gentlemen adventurers venture capitalists , funded the construction and were rewarded with large grants of the resulting farmland.
The work was directed by engineers from the Low Countries. Following this initial drainage, the Fens were still extremely susceptible to flooding, so windpumps were used to pump water away from affected areas.
However, their success was short-lived. A published writer, Lesley is extremely passionate about the art of writing and reading and has a particular love of finding and developing great narratives, both in fiction and nonfiction and across a broad range of genres.
Nonfiction — memoir, science, history, art, food, and humour. Lesley also loves working with graphic novels, comics, zines, poetry, journals, and illustrated works.
Or napkin scribbles. Denise specialises in technical, business, government and academic editing. She also has expertise in compiling and analysing data, statistics and research.
Claire is a qualified accredited editor. Claire has a good working knowledge of both Australian and British style and can edit accordingly.
She has a special interest in plain English and document accessibility. Her freelance business includes an audio transcription service for authors.
Vanessa has been an editor since Portia has worked for the Manuscript Appraisal Agency and manages submissions for Seizure, as well as working as a reviewer and industry insider in bookshops and NSWWC for many years.
Before life as a freelancer, Martine worked in-house for Hinkler Books as its managing editor. She spent several years as senior editor of pictorial books, merchandise and general reference books for Lonely Planet Publications.
Her clients include trade publishers as well as not-for-profit organisations and individuals. Nikki moved from practising criminal law to editing legal, academic and trade books in She began freelance editing in , having previously worked in-house as an editor at UQP and a senior editor at Black Inc.
Kylie has been a freelance editor for eleven years and has also worked inhouse for HarperCollins and Pan Macmillan. I have formal qualifications from the Publishing Training Centre for both Copy Editing and Proofreading, as well as being trained on the job by some of the best publishers and editors in the business.
Before Penguin, I ran the editorial department of a self-publishing company, working with a range of authors on their projects, to make their writing the best it could possibly be, and guiding them through the process of becoming an author.
I also currently work with major romance publisher, Mills and Boon — my not so guilty pleasure. She started a freelance book editing and assessment business in , and since then she has worked for several small publishers and directly with both new and experienced writers.
Screenplays: any genre. He has worked as commissioning editor at HarperCollins, associate publisher non-fiction at Hardie Grant, and Picador publisher at Pan Macmillan.
In he co-founded independent publisher Brio Books. He has extensive experience editing manuscripts in the following genres: memoir, biography, history, true crime, popular science and mathematics, current affairs, politics, sport and travel.
She is a founding member of the Society of Editors, WA. After ten years working in the public and private sectors, Christine started her own freelance editing business in Since then she has helped authors achieve commercial publication, assisted self-publishing writers, and worked with award-winning writers in developing their writing.
Christine offers a supportive, collaborative partnership to help authors bring their writing to the next level.
She provides advice on developmental issues such as story, plot and character, as well as polishing manuscripts in the line and copy-editing stages.
She also works directly with authors to assess, develop and edit manuscripts. Abigail has a background in copywriting, magazine sub-editing and legal editing, and has been a freelance editor for more than eight years.
Kate has been a trade publishing editor since I recognise the time, energy and care it takes to write a manuscript and I work closely with my authors to nurture their work and shape their words into the best possible book, one with powerful characters, compelling storylines and meaningful messages.
Nicola has been working as an editor since the early s. After several years in-house at HarperCollins, she set up her own freelance editing business in She also works with authors who choose to self-publish.
My editing career began in when, as a freelancer, I started working with technical, science and business writers. I developed and presented writing strategy workshops for nonfiction writers, and often helped set up corporate or departmental style sheets.
While I shy away from academic editing, I enjoy helping academics and practitioners share their expert knowledge using language that will be easily read and understood both within and outside their field.
Alexandra has worked as an editor and publisher in trade publishing for more than two decades. She has been employed inhouse at both multinational and independent publishers, including Penguin and Hardie Grant.
She now works freelance for both trade publishers and individual authors. She worked in-house at Oxford University Press, Melbourne, as a development editor before going freelance in She has worked across a broad range of materials, including educational textbooks, trade non-fiction, fiction and literary journals, and her clients include UWA Press, Wiley, Pearson, Fremantle Press, Magabala Books, Margaret River Press and Westerly magazine.
Nicola has been working in the publishing industry for nearly two decades, including five years in legal publishing and thirteen years in trade.
She was non-fiction editor at Scribe Publications for five years, where she helped strengthen the narrative non-fiction list, and worked with new Australian voices including David Carlin and Vivienne Ulman.
She also provides editorial consultation to writers with manuscripts underway, and runs workshops and lectures for institutions including Writers Victoria and RMIT.
Collaborative style. By shepherding writing to publication, I help readers to enjoy books, students to learn from course materials and communities to form around websites.
I can un-dangle a dangling phrase while blindfolded, too! I love nothing more than the satisfying rhythm of crisp, lucid prose.
If you are looking to get published or to self-publish, I can help you achieve your goal of producing something special that gets attention. Emma has been a professional book editor for more than 12 years.
Since going freelance in , she has found a greater balance between fiction and non-fiction, editing and proofreading books by J. Her insatiable curiosity means she still enjoys writing and editing about issues before they become mainstream, contributing to their increasing acceptability.
With degrees in economics and sociology BSc from the London School of Economics and an MA in Australian Studies from the University of New South Wales , she helps creatives, solo authors, SMEs, start-ups, and not-for-profits get their message across to increase appreciation and understanding of their work.
She also offers one-to-one collaborative consultations. One-to-one collaborative consultations in particular on healthcare. Carly began her career in health and education where she coordinated a writers program for academic content.
From here she went on to become an in-house editor for a large international publishing company working on many titles from a wide range of subject areas including hospitality, business, management, education, health and trade services.
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The term "island hopping" is often used to describe the way in which Allied forces advanced toward Japan, mainly because many Japanese-held islands were literally bypassed, or hopped over.
Some were neither captured nor occupied by Allied forces until after the official Japanese surrender. When the Allies eventually took control of the islands, there was little resistance at many of them, thanks to AFRS broadcasts.
Japanese-Americans made these broadcasts. Leaflets, dropped by patrol planes flying over the islands, alerted the Japanese forces there as to when the special broadcasts would be made.
Japanese music was sometimes included in the broadcasts to get their attention. It was only after the surrender of the islands months later that captured documents revealed the tremendous successes of the broadcasts in convincing the Japanese commanders that their war efforts were futile.
The broadcasters and maintenance men who set up and operated the mobile stations experienced extreme hardships. In some cases, personnel, equipment, food and weapons were dropped by parachutes or delivered by PT boats.
Some were brought to new sites by light planes, which landed on dirt strips, laboriously hacked out of rain forests. Other hazards in the tropics were jungle swamps, unbridged rivers and streams, and patches of mud into which men sank to their waists.
The climate was hot and humid and frequent rainstorms made the atmosphere oppressive. Malaria-carrying mosquitoes were everywhere. On the larger, foliage-blanketed islands, from which outcrops of rocky mountains extended above the jungles, there was an ever-present, all-pervading scent of rotting vegetation that made breathing miserable.
Except for the sounds of exploding bombs and artillery shells, the stillness was so profound that an occasional harsh cry from a startled bird seemed to be sinister and awe-inspiring.
Keeping equipment in operating order was difficult at best. Drifting clouds that wreathed the treetops in swirling mists fed the dense canopy of dripping foliage far above the ever-saturated and almost sunless floor of the primeval jungle.
Even though the transmitters were set up under tents, they often experienced problems with short-circuiting caused by the moisture that constantly surrounded them.
Back-up units were not always available, which meant that often transmitters had to be "jury-rigged" in order to get anything out of them. The hot and humid air also warped the discs records containing the recorded programming.
On May 8, , word was received via radio from Delhi , announcing the end of hostilities in Europe. Coast watchers and scouts also listened to the AFRS stations for information about what was happening.
Coded messages were sometimes included in daily broadcasts to give them special information as well. As the Allies drew closer to Japan , the fighting turned into a desperate island-by-island, hill-by-hill, and even inch-by-inch struggle.
Command of the airwaves over areas changed hands as much as twice weekly, and in a few instances, twice daily.
That made it even more difficult for those manning the AFRS radio stations, because, if they got too close to the battlefronts, aerial bombing could destroy the stations.Vorheriger Konkurrenten Weiterer Konkurrenten. Mehr Bewertungen lesen. Genügend 0. Wie Unternehmenskultur gelebt wird?